A lot of times, some of those people just happen to ran into somebody they knew and got the job by accident and in many cases even now they probably don’t even know how to use most of the available software tools.
The myth of a “PRO” just because he or she works in Hollywood means absolutely nothing.
Believe me it happens all the time, every time even right now. Sensitivity settings are in the control panel section of resolve config. Obviously, when looking for the best color grading software for video editors a key factor is the ease of use. Also, there are more advanced tools like curves, LUT support and color matching. The very same people writing manuals and creating rules, at some point sat in the studio scratching their heads thinking about solutions. There are dynamic color wheels for quickly addressing color balance and exposure issues with your shots. In the end, what matters is a clean good image and if you can deliver that, nobody cares how or what you used in making it. Create your own style that works for you. Working as a professional colorist for over 10 years I believe that it doesn’t matter who or what tells you to do a certain way. To conclude this, I just want to say that even though there are “rules” and certain processes that are considered to be “standards” in the color grading process.
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